Dreamer's Blog

I sat down and reading book while
sipping a cup of coffee.
I want to write a poet or maybe a short story,
it's nice if it is a love story perhaps.

8 January 2012
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“Torn” by Natalie Imbruglia (Taken with Instagram at Podworx)

“Torn” by Natalie Imbruglia (Taken with Instagram at Podworx)

29 November 2011
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My Second SBX Tumbler Thanks to Michael:) (Taken with instagram)

My Second SBX Tumbler Thanks to Michael:) (Taken with instagram)

25 November 2011
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Fairy Vidia (Cosplay)…… (Taken with instagram)

Fairy Vidia (Cosplay)…… (Taken with instagram)

18 November 2011
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Evil queen (Taken with instagram)

Evil queen (Taken with instagram)

24 October 2011
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via fromme-toyou
fromme-toyou:

From The City of Fountains to the City of Lights…
Yesterday I guest blogged “Top Ten things about Kansas City” over on Oh Joy and tonight I’m heading off to Paris (*EEeeeeEeeEE*) to shoot the Breast Cancer Awareness cinemagraph you all voted for! Thank you so much for the voting support, I can’t wait to show you what we capture!
pssst- follow the french adventure along with me on instagram! FromMeToYouJamie

fromme-toyou:

From The City of Fountains to the City of Lights…

Yesterday I guest blogged “Top Ten things about Kansas City” over on Oh Joy and tonight I’m heading off to Paris (*EEeeeeEeeEE*) to shoot the Breast Cancer Awareness cinemagraph you all voted for! Thank you so much for the voting support, I can’t wait to show you what we capture!

pssst- follow the french adventure along with me on instagram! FromMeToYouJamie

14 August 2011
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“The virtue of Friendship is not finding the perfect friend but by loving the friend perfectly.
True friendship doesn’t have a happy ending, it simply doesn’t end.”

*message by Karol:)*

8 August 2011
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via crookedindifference
crookedindifference:

Juno Spacecraft will carry Legos

NASA’s Jupiter-bound Juno spacecraft will carry the 1.5-inch likeness of  Galileo Galilei, the Roman god Jupiter and his wife Juno to Jupiter  when the spacecraft launches this Friday, Aug. 5. The inclusion of the  three mini-statues, or figurines, is part of a joint outreach and  educational program developed as part of the partnership between NASA  and the LEGO Group to inspire children to explore science, technology,  engineering and mathematics.
The launch period for Juno opens Aug. 5 and extends through Aug. 26. For  an Aug. 5 liftoff, the launch window opens at 8:34 a.m. PDT (11:34 a.m.  EDT) and remains open through 9:43 a.m. PDT (12:43 p.m. EDT). The  spacecraft is expected to arrive at Jupiter in 2016. The mission will  investigate the gas giant’s origins, structure, atmosphere and  magnetosphere. Juno’s color camera will provide close-up images of  Jupiter, including the first detailed glimpse of the planet’s poles.

More information about Juno is available at: http://www.nasa.gov/juno and http://missionjuno.swri.edu .
You can follow the mission on Twitter at @nasajuno .

crookedindifference:

Juno Spacecraft will carry Legos

NASA’s Jupiter-bound Juno spacecraft will carry the 1.5-inch likeness of Galileo Galilei, the Roman god Jupiter and his wife Juno to Jupiter when the spacecraft launches this Friday, Aug. 5. The inclusion of the three mini-statues, or figurines, is part of a joint outreach and educational program developed as part of the partnership between NASA and the LEGO Group to inspire children to explore science, technology, engineering and mathematics.

The launch period for Juno opens Aug. 5 and extends through Aug. 26. For an Aug. 5 liftoff, the launch window opens at 8:34 a.m. PDT (11:34 a.m. EDT) and remains open through 9:43 a.m. PDT (12:43 p.m. EDT). The spacecraft is expected to arrive at Jupiter in 2016. The mission will investigate the gas giant’s origins, structure, atmosphere and magnetosphere. Juno’s color camera will provide close-up images of Jupiter, including the first detailed glimpse of the planet’s poles.

More information about Juno is available at: http://www.nasa.gov/juno and http://missionjuno.swri.edu .

You can follow the mission on Twitter at @nasajuno .

26 July 2011
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via i-am-lucky

7 July 2011
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via theatlantic
theatlantic:

The Creative Process Behind New York’s Iconic High Line
James Corner is one of the premiere theorists and practitioners of landscape architecture, a field that emphasizes the design of outdoor and public spaces to achieve specific environmental, socio-behavioral, and aesthetic outcomes. The principal designer at James Corner Field Operations, a New York-based architecture firm, Corner focuses on landscape urbanism, an amalgamation of a wide range of disciplines including landscape architecture, ecology, and urban design. In a conversation with associate editor Jared Keller, Corner discusses the creative process behind New York’s now-iconic elevated park, The High Line, whose second section opened in June.

With the High Line, we had this extraordinary artifact that in some ways was an ugly duckling, something with potential. At the turn of the century, it was derelict; the concrete and steel and tracks were obviously in disrepair, the rails rusted, the wood cracked. Most people at the time thought it should be torn down. But where some people saw dereliction, others saw inspiration. It was in the landscape running along those broken tracks. The photographs of Joel Sternfeld (fine-art color photography and publisher of Walking the High Line (2002), an anthology focusing on the railway) had a remarkable influence in allowing people to view this thing as something with potential rather than something to be skeptical of. Running for a mile and a half through the west side of Manhattan, there’s a remarkable dialogue between nature and industry—or rather, post-industry—suspended 30 feet in the air.

Photographs, schematics, landscape ecology, and more at The Atlantic

theatlantic:

The Creative Process Behind New York’s Iconic High Line

James Corner is one of the premiere theorists and practitioners of landscape architecture, a field that emphasizes the design of outdoor and public spaces to achieve specific environmental, socio-behavioral, and aesthetic outcomes. The principal designer at James Corner Field Operations, a New York-based architecture firm, Corner focuses on landscape urbanism, an amalgamation of a wide range of disciplines including landscape architecture, ecology, and urban design. In a conversation with associate editor Jared Keller, Corner discusses the creative process behind New York’s now-iconic elevated park, The High Line, whose second section opened in June.

With the High Line, we had this extraordinary artifact that in some ways was an ugly duckling, something with potential. At the turn of the century, it was derelict; the concrete and steel and tracks were obviously in disrepair, the rails rusted, the wood cracked. Most people at the time thought it should be torn down. But where some people saw dereliction, others saw inspiration. It was in the landscape running along those broken tracks. The photographs of Joel Sternfeld (fine-art color photography and publisher of Walking the High Line (2002), an anthology focusing on the railway) had a remarkable influence in allowing people to view this thing as something with potential rather than something to be skeptical of. Running for a mile and a half through the west side of Manhattan, there’s a remarkable dialogue between nature and industry—or rather, post-industry—suspended 30 feet in the air.

Photographs, schematics, landscape ecology, and more at The Atlantic

25 June 2011
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via forestmilk